I think Mike Cotton probably, foolishly let my foot in the door and said, 'Hey, do you have any ideas for the Flash?' And the thing about me is I have ideas about everything. He was basically like 'Hey why don't you come and do this Black Adam 'Future State'?' And at the same time, I was doing the Black Racer 'Future State,' and I got my first little chance. They gave me a shot, specifically Mike Cotton, who's was my editor on Future State: Black Adam. What had happened was they called in a bunch of animation writers to give them a shot. I have been lucky enough to write on some of those great, different iterations. Warner Brothers Animation has a really good reputation for well-thought-out stories and hitting the characters where they should be. That's always been on my bucket list of something I always wanted to write because obviously, I've been a fan.Īs the path of writers can be strange sometimes, I had happened to fall into Warner Brothers Animation specifically - all the stuff I was bullied for growing up I'm now making money for. So, I've always wanted to do comic books. I have an older brother, actually - this is totally a side tangent, but he convinced me to trade all of our shared X-Men comics for a complete run of Spider-Ham somewhere in, like, the early '80s that I'm like 'Oh, that was a terrible, terrible move.' My parents got divorced really early, not to get too heavy on it, but obviously, I was clamoring to connect somehow with my father in a way, and I just had been obsessed with comic books from a little wee lad. I remember him being an artist and I remember comic books from my first memories. Jeremy Adams: The real backstory is that my father had drawn some DC Comics when I was born.
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